Premium quality singing bowls have two, three or even four main tones as well as other subtle sounds. You can bring out these different sounds by using different ringing instruments and techniques. Choice of mallets and sticks are an important part of the sound you hear and I’ve put a lot of attention to them.
Mallets allow you to listen to the subtle sounds. Once you get to know a singing bowl you can strike it at regular intervals to bring out one or another major tone. Of course big mallets can bring out powerful sounds from a large singing bowl. Mallets also allow you to ring an array of singing bowls rather than one at a time like ringing sticks. I like to have a few different mallets on hand to ring groups of singing bowls in quick succession. The long handles on the professional mallets allow you to ring singing bowls at a distance.
Nepali Felt Mallets
Most people who sell singing bowls sell mallets from Asia. These mallets are best for whacking a medium and larger bowls and getting out the big sounds. They are relatively soft and so they go with deep bowls, Big mallets lend themselves to getting a rhythm going. The mallets made in Nepal do a very good job on Jambati singing bowls and the larger Thadobati provided what you are aiming for is the primary strike tone. Nepali mallets are significantly less expensive than the American ones despite being much larger. They can vary some in hardness, size, shape, even handle length. We carry four sizes of Nepali mallets including a special one made for Best Singing Bowls – the smallest that can be made in this style which does well with bowls as small as 5 or 6 inches.. Buy Nepali Mallets
Small and light bowls require a mallet light enough to bring out sound yet small enough not to push the bowl around. Our exclusive all purpose mallet is a fine inexpensive option. The mallet is on the medium to hard side so it plays bowls brightly, both primary tone and overtones.
Precision American Made Mallets
For top-notch play, though, what I have found is best are orchestral quality marimba, vibes and xylophone mallets. The small heads and long handles give you fine control over the force you deliver to a singing bowl. The precision manufacturing and color coding provide a predictable range of hardnesses to choose from.
The oval shape of these mallets is forgiving enough that you can hit the bowl at different angles and still get out a great sound. These precision accessories add a whole other dimension to the experience of playing the singing bowls. You will be amazed at the range of sounds you can bring out of a singing bowl using different mallets and just how comfortable they are to swing. If you are experienced with singing bowls and have been tapping on them with ringing sticks these mallets will be a revelation. I encourage you to invest in the American made mallets, especially if you are buying a smaller bowl, as it will enhance your singing bowl experience. If you are buying a couple of singing bowls buying a few mallets to go with them will maximize the range of sounds you will hear.
Best Singing Bowls is the only seller of high quality antique singing bowls that also carries similarly high quality mallets. I sell American made mallets from Musser / Ludwig, an old established name in professional music. Also, uniquely, I sell them by the each – breaking up pairs and sets so you can purchase a selection of different ones for a reasonable price. Musser mallets are color coded and come in a range from soft to hard with soft best for bringing out the lower sounds and hard best for high sounds. Rattan handles provide flexibility and give you more control over the force you deliver to a singing bowl.
Musser cord mallets have tiny tight one inch heads and range in hardness from soft to hard. Nothing beats the small cord heads for delivering the kind of firm gentle tap you need for ringing petite bowls. For really tiny Manipuri singing bowls a light tap with the hardest cord mallet is often the way to get the most sound out. Large mallets move the singing bowl around too much. Smaller Thadobati singing bowls with rounded bottoms are also good candidates for these mallets, again because you can get the sound out without pushing the bowl around. The long handle on these mallets give you the ability to be in a comfortable position and reach out to the bowl.
Musser yarn covered mallets have a fuzzy head and a bit more mass than the cord mallets. The Musser yarn covered mallets have a bit larger heads and can be used on most midsized and even some larger singing bowls. That little bit of extra mass allows you to hit the singing bowl harder with good effect but the singing bowl has to be large enough to stay put. The softer of these yarn mallets are excellent for bringing out the lower tones in bowls while the hardest red one is great for sharp highs on heavier Thadobati singing bowls.
The M204 is a very soft large headed yarn mallet. It can be used as an alternative to the Nepali mallets on large singing bowls. I would say it is not up to the task on the very largest Jambati singing bowls, those over 11 inches but under that it does a nice job of delivering the ring with the advantage afforded by long handle’s the extra reach. The head of the mallet (shown to the right in white) has a shape that allows you to make contact with a greater surface area. It is just great at bringing out the low tones in a medium sized singing bowl where the larger Nepali mallets overwhelm. It’s softness really muffles the highest sounds so I recommend it in conjunction with another mallet. Buy M204
The M233 is a large harder mallet, designed for vibes, that is just great for heft and high tones you get from a Mani singing bowl. It is the hot pink round mallet to the right above. Really anybody who owns a Mani bowl should have this mallet as it does such a good job of bringing out the tone while imparting enough energy to the bowl for a good long follow through. It is also good for extra thick larger Thadobati singing bowls and double thick smaller thados. It is too harsh for Jambati singing bowls and too heavy for Manipuri. Buy M233
M223 is a larger size soft fluffy yarn mallet that is good for bringing out the lower tones on larger bowls. More nimble than the heavy Nepali mallets, the head is large enough to play Jambati bowls. Buy M223
Wood and Leather Ringing Sticks
One of the things that sets the quality you’ll see on this website apart is the range of tones in each singing bowl. Choice of mallets and sticks are an important part of the sound you hear and I’ve put a lot of attention to them.
Buy Ringing Sticks
If you want to hear your singing bowls wail then ringing sticks are the way to go. When you use a ringing stick try to keep your wrist in one position and move your arm around the singing bowl. This gives you the ability to maintain the same angle of contact all the way around the rim. Even pressure is important so you maintain contact with the edge of the singing bowl. Angle and consistency of contact is key with ringing sticks – especially with high-end large singing bowls. With multi tonal Jambati singing bowls changing the angle of the ringing stick allows you to bring out different tones. A vertical angle (perpendicular to the side of the singing bowl) will bring out the low tones while tipping the stick towards horizontal will ring the singing bowl high.
The material in a ringing stick makes a big difference. Wood sticks are best for bringing out the high tones, leather is best for low tones. A lot of people sell felt sticks but I find them hard to use on most singing bowls and have declined to sell them [sorry, vegans]. The type of wood is also important. The Nepalese sticks are made of a hard wood which can be unforgiving in an inexperienced hand. In other words they can bounce off the singing bowl easily and you end up hearing a squeal. I try to buy the softest of the hard Nepalese wood (I reject sticks made of heartwood). These sticks are good but they are not optimal. I’ve been experimenting with different woods (Mitch Nur swears by Aspen) and at some point I hope to offer an alternative wood stick.
The size of a ringing stick should be in proportion to the size of the singing bowl. Tiny singing bowls really need a tiny stick for the best play. Interestingly, when I got to Nepal I found that the largest sticks were (in my opinion) too small for the biggest singing bowls and so I had a larger size made especially for me.
One thing I really like about the thick Mani singing bowls is that you don’t have to go all the way around the rim to get out the full sound. A quick back and forth motion with wood quickly brings up the tones in these bowls. Occasionally a very thick Thalobati or Jambati singing bowl will play this way. When I can, I use this method in sound clips.
You’ll notice that I don’t sell sticks with carvings and Buddha heads (not sure he likes to sit above a piece of leather, anyway), instead mine are neatly cut off at the top. This is on purpose, contact near the end of the stick is best for ringing and the ornamentation gets in the way of good playing. There is a bit of decorative flair in the middle of the sticks where it won’t get in the way.
Tapping a singing bowl with a ringing stick can be used as an alternative to a mallet. You have a lot less control with a stick and really no choice of hardnesses.
Frank Perry hand turned heritage wood wands
Frank Perry has one of the oldest and largest antique singing bowl collections in the United Kingdom. Frank is a master at bringing out individual tones from bowls. One of his secrets are the many different wands he makes using a wide variety of woods. Frank is a craftsman, he starts with wood blanks and hand turns pieces on a lathe at his home in the south of England. These are beautiful exquisitely finished pieces each with his signature top pictured to the left.
Over the years Frank Perry has experimented with all kinds of wood, from odd pieces scavenged from fallen branches to fine woods imported from around the world. Best singing bowls has a selected a variety of woods in two sizes that can bring out the full range of sounds from the rather diverse universe of singing bowls. One thing to keep in mind about the wands or any around the rim ringing implement is that the interaction with the bowl is a complex one. A bowl will ring great with one wood and not well at all with another. Still wands and bowls have general characteristics which are listed below.
All the woods we sell are certified sustainably harvested in the UK and are not endangered or threatened species. This is important, as even a relative splinter like these wands are can contribute to ecological degradation and human suffering if they come from over harvested or poached trees.
The wands come in two sizes, tiny and “massive”. The tiny wands are only six inches long and no more than half an inch in diameter – but they are very powerful. Unlike the Nepali ringing sticks one of Frank’s tiny wands can bring incredible sounds out of the largest singing bowl. The massive wands, 15 to 30 times the weight of the tiny ones, are easy to use. Their weight naturally presses against the rim, and they are best for larger bowls, 6 inches and above.
Buy Frank Perry Wands
Sacred Yew – All over England you will see Yew planted by the old churches surrounded by headstones – and even around pre-Christian sites. The wands have a creamy color with a light grain. Yew is a soft, relatively light and flexible wood. These characteristics give it the ability to play the deeper tones in singing bowls. The softness and flexibility of yew allows this wand to play rougher edges quietly. We offer Yew in both mini and massive sizes.
Purple Amaranth – comes from Central and South America. The wood is dense but flexible and also on the dry side so the finish is “rough” which gives the wand a better grip, especially for bowls with a very smooth edge. Amaranth is the most versatile of the mini wands. On bowls with a rough edge Amaranth can be a bit noisy.
Tulipwood – is a beautifully colored rosewood from a small tree native to northeastern Brazil.. The wood is dense with moderate hardness. Tulipwood can sometimes ring bowls that do not respond to very hard or very soft wands.
Kingwood – is a dense, strong and hard wood that grows in Mexico and Brazil. It is the second hardest wood we sell, not quite as hard as ebony and sometimes will ring a lower overtone than ebony does on the same bowl. Kingwood wands are smooth with a rich brown wood and dark contrasting grain.
Ebony – is a hard, dense and very stiff wood that can be polished to a very smooth finish. These characteristics give ebony the ability to tease out the highest sounds from a wide range of singing bowls. The wood is black with occasional hints of dark brown and is heavy in your hand. True Ebony comes from equatorial West Africa and is an over exploited and endangered species. The ebony we use is technically “African blackwood” from central and southern Africa. This wood is not listed as endangered by either of the worldwide wood sustainability indices CITES or IUCN. For singing bowls African blackwood is actually better than true ebony, it is denser and harder which makes it better for teasing out the very highest of tones.
Vermilion – has a warm reddish color, hence the same name as the deep red pigment made from cinnabar, an alloy of mercury. Also known as “Paduk” it comes from West Africa. The wood is a hard and dense wood with moderate flexibility. These characteristics give it the ability to tease out sound, especially higher tones, from a wide range of singing bowls. Vermillion is the most versatile of the massive size wands.
Zebra wood – or “Zebrano” is a deeply striped wood from West Africa. It is a hard, dense and inflexible. These characteristics make it best for teasing out the higher tones from singing bowls. The smooth finish of Zebrano wands also helps with those high notes. Zebra wood comes from West Africa. It is not an endangered or threatened species.
Best for low tones – Sacred Yew
Best for high tones – Kingwood, Ebony and Zebra.
Best for tough to play bowls – Purple Amaranth
Versatile wands for many bowls – Tulipwood and Vermillion