Very simple and shiny Jambati smooth to the touch, with just the slightest evidence of hammermarks. Its thinness is the major factor in its deep tone. Deep and peaceful with a slow pulsing bass and, when played softly, a solid background overtone. When played with a higher tone mallet the overtone’s inherent faster pulse becomes more apparent. The next layer is incredible complexity, as in recording 2 off the rim. Very good harmony and excellent sustain, even with a soft tap like in the recording. With leather the bowl sings softly and deeply at first then moves to a higher tone (first part recording 2). With a massive wand the next two overtones emerge with intensity. With an ebony tiny wand – back and forth technique used – tones 5 and 6 emerge, wailing, the highest at 1417 Hz. Talk about complexity hidden within a peaceful deep facade!. With overtones at A#3, A#4, F5, C6.